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A N O T H E R P L A C E In Lisbon, the juxtapositions of spaces folding and flourishing in close range is striking. Abandonment and restoration are occurring simultaneously. Amidst the EU financial crisis our images question how independent one space is from another using reflections as permeable membranes between opposite conditions. “Vis-à-Vis” captures this process literally and aesthetically, recording palimpsests that encourage more than one reading. “Belém” documents entropic processes occurring on the fringes. We find inspiration in the fray. As Elizabeth Grosz explains in “Architecture from the Outside” the space in-between is a place where things become unravelled but such action also produces potential for new connections, identities and directions. Experimenting with the entwinement of inside and out, one and the other, and their relations within the built environment of Lisbon, we made two camera obscuras in a continuation of the series “Out of Place”. Within two buildings adapted to tourism, a restaurant and hotel, we projected what was outside inside by darkening the room leaving a small hole as aperture, turning the entire room into a camera. What was revealed was a wider perspective and a more distant other. Together the three projects form “Another Place” examining proximity, liminality and otherness in Lisbon’s architecture. Knoll + Cella 1 September 2013, Berlin www.twoviews.eu ................................. Bio: Working mainly in post-documentary photography, film and with architectural projections, our practice is driven by curiosity, longing, and questions of cultural identity. Many projects share an attention to the built environment, specifically temporary architecture and ideas about the use of space, found and constructed. Recent projects ask questions about otherness and belonging. All work gravitates towards memory, the in-between and temporaility, whether it is a search for the meaning or location of home or the practice of living in liminality. .............. Acknowledgements: Thanks to Beatrice Galilee for conceiving “Close, Closer” and making a place for these inquiries and experiments. Special thanks to Inês Marques for working attentively with us in order to share our findings.
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