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47 17 May 2014 | New Musical express “It’s the record I listen to the most. It’s just such a wide-open, spectral record. To me the best music can transport you spiritually, take you to a wild, open place. I mean, this record is like direct access to a whole other experience. It can make you forget that we’re living in 2000-and-whatever-the-fuck and give you a more universal, longer view of things.” “‘Nevermind’ is the irst one you hear but then you hear ‘Bleach’, ‘Incesticide’, and ‘In Utero’. And ‘In Utero’ still sounds resh. It’s the closest vision o how the band was supposed to sound. Listening to ‘Radio Friendly Unit Shiter’ or the irst time, I remember thinking, ‘How the uck did they create this noise?’” 8 Nirvana In Utero Geen, 1993 “I really enjoyed OutKast when I was a kid, I don’t know why. Obviously back then I wasn’t like, ‘Oh, the production’s amazing’ or anything; it’s just that the whole record is totally solid. ‘Bombs Over Baghdad’ is pretty sweet; it’s like a rap/drum’n’bass sound.” Grimes on... Sean Lennon on... 9 OutKast Stankonia LaFace, 2000 “Pink Floyd are me and [bandmate and partner] Charlotte Kemp Muhl’s joint avourite band. This album is them on the cusp o discovering the sound they went on to with [1971 album ‘Meddle’ track] ‘Echoes’, and you can hear Syd Barrett peaking as a songwriter. It’s the bridge between those two worlds. An incredible record.” 10 Pink Floyd A Saucerful Of Secrets EMI, 1968 “It’s a very deep record – it’s a religious experience hearing it or the irst time. It is on repeated listens too, but especially on the irst time. I was 15 and my aunt and uncle – who are a jazz duo called Jack & Patty – invited me to Caliornia to be their apprentice, their roadie, or a couple o gigs they were doing. They did this ceremony where they turned of the lights and lit candles and put on Coltrane’s ‘A Love Supreme’. I’d never really listened to jazz beore – and this was beore jazz in Starbucks, jazz as the soundtrack to lattes and whatever. It moved me to tears. I revisit it a lot actually. It’s such a heartbreaking record. There’s so much longing in it and so much pain.” “It’s impassioned, political, ageless. Bobby Gillespie first put me on to them, then took me to see them. We went backstage and asked for Arthur Lee afterwards. He was telling me about prison in LA with Richard Ramirez and Charlie Manson, shit like that. And back in the day with Hendrix. He had some stories! He was a proper legend in all senses of the word, but what’s really important about Love is that they were so punk, even though they don’t sound it now. ‘ They’re locking him up today/They’re throwing away the key ’ [from ‘The Red Telephone’] is daring and confident. It’s about love, but there are Rage Against The Machine vibes in there lyrically. ‘Alone Again Or’ is my favourite. I can play it on the guitar, just about! It’s got that Latin American vibe and that intro. Perfect.” 5 Love Forever Changes Elektra, 1967 Carl Barât The Libertines on... 6 Lou Reed Transformer RCA, 1972 Courtney Barnett on... “It’s the best record in the world. Every time I listen to it I hear something new and I eel diferent eelings. It just sounds so live and in-the- moment – it eels like they’re just ucking around in the studio. I’ve never really looked into how the record was made, so I don’t know i that’s what it is – maybe it’s not. Someone played it to me late at night in a bar I used to work at ater closing time. It was like, ‘Let’s go home’, and I was like, ‘No, let’s sit down and listen to the rest o the album!’” 101 ALBUMS to HEAR BEFoRE YoU DIE 4 John Coltrane A Love Supreme Impulse!, 1965 St Vincent on... Dave Sitek TV On The Radio on... Tom Hudson Pulled Apart By Horses on... 7 Don Cherry & Ed Blackwell El Corazón ECM, 1982
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