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SUMARIO El anime, manifestación de la cultura popular japonesa, ha ganado popularidad a nivel mundial de forma impresionante en los últimos años, gracias en parte al internet. Pero, en un mundo globalizado en el que el intercambio de información y patrones culturales es inevitable ¿podría ser anime un elemento transculturizador? A través de la visión de algunos teóricos de la comunicación y de los fanáticos del anime, se realizará un análisis del anime más popular de la década: Naruto ; para determinar si a través de él estamos aprehendiendo elementos de la cultura Japonesa. De ser así ¿Existe algún riesgo? ¿Es positivo? ¿Qué patrones culturales contiene Naruto ? ¿Qué patrones culturales, de los que puedan contener las series de anime, adoptan los fans? Estas son las cuestiones que se abordarán en esta investigación, haciendo un paralelo entre la historia, el anime, las teorías de la comunicación y la visión de los fanáticos. SUMMARY Anime, a manifestation of the Japanese popular culture, has won popularity all over the world in the last few years in a very impressive way, in part because of the internet. But, in a globalized world where the exchange of information and cultural patterns is inevitable, ¿Could anime be a trans-culturation element? Thru the vision of some the most important communication scientists of our time and the anime fans, we’ll make an analysis of the most popular anime of the decade: Naruto , to determinate if we’re apprehending elements from Japanese culture thru this anime, if we do, ¿Is there any kind of risk? ¿Is this process beneficial for us? ¿What kind of patterns, of all the kinds that anime may contain, are the fans adopting? These are the questions that we’ll be approaching to in this investigation, making a parallel between history, anime, communications theories and the fans vision.
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