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37 Investigación • Arte • Cultura Imaginario Visual Año 2 No. 3 Mayo - Octubre 2012 El CAMBIO ESPERADO en el perl del DISEÑADOR GRÁFICO MEXICANO: LA SUSTENTABILIDAD La historia nos ha enseñado que el diseño gráco como carrera profesional se establece propiamente con el naci- miento de la Bauhaus, la primera escuela de diseño, que si bien ha servido como un parteaguas cronológico y un generador del perl del diseñador por más de cincuenta años consecutivos, también ha sido la plataforma de di- versas escuelas de diseño en todo el mundo. Para el año 2000 el perl del diseñador gráco egresado en México se quedó fuera del espectro de las necesidades reales del mundo global que generó nuevos modelos de desarrollo internacional, basados no sólo en experiencia y habilida- des aprendidas, sino en la capacidad innovadora de rea- lizar cambios sociales de gran impacto y benecio a la sociedad. Palabras clave: antecedentes, aportación, habilidad, he- rramientas, diseño gráco. History has shown that Graphic Design as a profession was properly established with the birth of Bauhaus, the rst school of design, which has functioned as a chrono- logical turning point and the source of the designer’s prole for more than fty consecutive years. Additionally, is has created a platform for a wide range of design schools all over the world. By the year 2000, the prole of the graphic design graduate in Mexico remained outside the spectrum of real worldwide global needs, which had generated new standards for international development based on practi- cal experience, learned skills and the innovative capacity of producing social changes of great impact and benet to society. Keywords: precedents, contribution, ability, tools, graphic design. RESUMENABSTRACT THE EXPECTED CHANGE IN THE MEXICAN GRAPHIC DESIGNER PROFILE: SUSTAINABILITY Myriam Treviño Solis
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