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Making Histories Making Histories explores our culture’s growing interest in the past and a deepening concern shared by many contemporary artists or the ways history is represented. Employing the tools and techniques o historians, these seven international artists assume the varied and oten overlapping roles o researcher, archivist, interviewer, chronicler, storyteller, perormer, and provocateur. Te idea o representing history in art is not new. History painting was the most ambitious and prestigious orm o visual art in Europe in the 17th and 18th centuries, and the genre expanded in the early 19th century to include the depiction o recent events, such as wars and revolutions in addition to signicant episodes rom antiquity. With the rise o modernism in the later decades o the 19th century, history painting went into eclipse, as progressive artists turned to the depiction o modern lie or escaped into the realms o antasy and, in the 20th century, abstraction. A concern with history returned to art in the 1970s with the advent o postmodernism, which overturned the short-lived modernist triumph o abstraction and reintroduced representation and narrative as central artistic strategies. Reecting a new approach, the artists in Making Histories investigate their subjects using traces o the past, drawing on historical sources that include photographs, print media, lm ootage, artiacts, texts and documents, as well as the experiences and rst-hand accounts o events rom witnesses and participants. Out o these diverse explorations come probing and memorable objects and images that include hand-stitched quilts, text paintings, and time-based works that appropriate and collage printed images, translate iconic photographs into ink paintings presented in sequence, employ documentary techniques, use ound ootage, and capture imaginative perormances and painstakingly detailed reenactments. Featuring works whose subject matter spans the past hundred years, the exhibition addresses compelling historical events o national or even international impact, examining alternate or untold histories, and bearing witness to some o the most consequential political, ideological, and cultural shits that occurred during the 20th century. With a personalizing efect, each work serves in its own way to introduce a human scale to these larger phenomena, reminding us that these occasions, like events occurring today, are all shaped by human action and experience.
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