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2 3 On 14th May, 1940, the Government broadcast a message asking or volunteers or the LDV (Local Deence Volunteers). On 23rd August, 1940, Winston Churchill changed the name o the LDV to the Home Guard. The government was expecting 150,000 men to volunteer or the Home Guard. Within the rst month, 750,000 men had volunteered, and by the end o June, 1940, the total number o volunteers was over one million. The Home Guard was ormed when there was a real risk o invasion. Most men who could ght were already in the orces, those that were let were either too young, too old, or in reserved occupations (those jobs vital to the war eort). The men who volunteered to join the Home Guard at this time were expected to ght an invasion o crack German troops with nothing more than a collection o old shotguns and pieces o gas pipe with bayonets welded on the end! The Home Guard was eventually issued with more conventional weapons, but even these had their problems. Fortunately the invasion never came and the men never saw active service against the German Military Machine. THE REAL HOME GUARD Last week Dad’s Army creator Jimmy Perry, 90, agreed to a cinematic o the British classic sitcom, on the condition he doesn’t have to have any role in the production. With more than 80 episodes and three stage shows under his belt… he had it easy. Returning to my olding director’s chair, three years ater my directing debut o Agatha Christie’s And Then There Were None , was a difcult decision to make. With a wonderul team supporting me last time (including co-director Timi Ariyo, who treads the boards tonight) I had to think long and hard about directing another production, and how the experience would match up. Sufce it to say this has been on another scale. Directing Dad’s Army was a dream opportunity or me, allowing us to put on a humble homage to the British giant that dominated the 1960s. Although the subject matter is so distant to many o us, the appeal is universal, with reruns still to be seen on a Sunday night on the BBC. I still vividly remember seeing my rst episode o Dad’s Army with my grandather and, although generations apart, we were bought together by the antastic characters, wonderul writing and good hearted comedy. Tonight I hope that a cast o 17 and 18 year olds will be able to transport you back to the days o the Second World War. The studio audiences laughed in 1968 and nearly 50 years on we hope that you will laugh along with us. Thank you. Richard Wells (Director) WHISPERS FROM WALMINGTON… DIRECTING DAD’S ARMY ON THE WESTCLIFF STAGE
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