Explore Flipsnack. Transform boring PDFs into engaging digital flipbooks. Share, engage, and track performance in the same platform.
From magazines to catalogs or private internal documents, you can make any page-flip publication look stunning with Flipsnack.
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Here are eight reasons why you should consider choosing interactive, digital flipbooks instead of boring and static PDFs. Check them out!
The music progresses with the lyrics, moving together as the mood shifts expertly from regret to strength, sadness to defiance, perfectly transitioning from one to the next. All of the band members are wellversed musicians, and each get their own moments throughout the song; a gentle guitar strum, a consistent pulsating drum beat, a violin instrumental section, and accentuated piano notes. In many of their songs, each of these instruments exist on their own to begin with, and then all come together at the climax of the lyrics, most often the chorus, to create a layered effect. Often, certain lines in the lyrics will correlate with an instrument, too. For example, whenever Russel sings “we’ve taken the time casting our lines offshore” in the chorus of “Homecoming Heroes,” the same piano melody becomes clear and isolated. The strong relationship between the words and the instrumental accompaniment gives their music a complete feel that is fulfilling. Overall, The Head and The Heart’s sound is raw and emotional, but with enough refinement to say “Hey, we have talent.” Tight, perfect harmonies and beautiful flowing falsettos emerge at the close of many of their songs, and give a sense of refinement. In “Another Story,” the last quarter of the song possesses an unexpected intimate quality, stripped of its previous music progressions and soft and quiet to back up the resounding voice of the singer. It feels is as if he is telling you his deepest secrets in the words “I'll tell you one thing/We ain't gonna change much/The sun still rises/Even through the pain. As the album progresses, it continues to deliver more treats, with the short but sweet and hauntingly ethereal “Springtime,” which flows right into the upbeat “Summertime” without a break. This sequence of songs in particular intrigues me, as they are two separate tracks, each with a distinct style, but if you heard them without knowing that they were separate, you would think they are two sections of one track. Maybe this is the band’s way of expressing the difference (or lack thereof) between spring and summer. They flow together, but have different tones. Even the order of their tracks, like this arrangement, has meaning.
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